Name : Alpha Numeric / Alias : Pengarasan Bantarkawung
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Name : Saefrullah / Alias : Puma
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Name : Jason Anderson / Alias : Toronto Star
It's pretty much dead in the water as soon as a shirtless Kutcher tries to play suave and utters some terrible French in his first attempt to woo his co-star.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Don't tell me I'm making too much out of nothing, because the steady drip-drip-drip of nothings like this are killing us all.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
At a certain point, it actually becomes embarrassing to watch Heigl and Kutcher play at being in love.

Name : Andrew O'Hehir / Alias : Salon.com
Bungled rather than flat-out terrible.

Name : Brian Miller / Alias : L.A. Weekly
If you count the number of hairstyles Katherine Heigl wears in this dreary romcom-with-guns, the tally is likely to be four or five. Ashton Kutcher's facial expressions, one.

Name : John Anderson / Alias : Newsday
The mismatch isn't quite of Justin Bieber-Charlize Theron proportions, but Ashton Kutcher and Katherine Heigl play an oddly disjointed pair of lovers, partners and reluctant assassins in Killers.

Name : Claudia Puig / Alias : USA Today
Killers is a lifeless romantic action comedy that might as well have been concocted in a broken beaker, given the paucity of chemistry between the lead actors.

Name : David Fear / Alias : Time Out New York
For someone so classically handsome, Kutcher is surprisingly anticharismatic as a star. A smarmy grin and looking good while shirtless does not equal screen presence, dude.

Name : Stephen Cole / Alias : Globe and Mail
Maybe filmmakers should shoot what Ashton's up to off-camera, because not many laughs are making it to the screen.

Name : Scott Tobias / Alias : AV Club
Killers leaves Heigl and Kutcher to bicker over issues of trust and betrayal; being in danger causes more problems in their marriage than it resolves. Killers isn't an entertainment, it's a high-speed spat.

Name : Frank Scheck / Alias : Hollywood Reporter
The audience is the real victim.

Name : Joe Neumaier / Alias : New York Daily News
Robert Luketic's bland action comedy focuses on the uninteresting relationship between its two bland main characters, and that's the deadliest thing in sight.

Name : Rob Nelson / Alias : Variety
Bullets fly and jokes land with a thud.

Name : Michael Phillips / Alias : Chicago Tribune
Haven't we seen the oh-my-gosh-my-spouse-is-secretly-an-assassin-but-you-know-a-nice-one routine once too often?

Name : Robert Abele / Alias : Los Angeles Times
Is it some monstrosity of awfulness, as its lack of advance screening suggested? No, that would imply at least a spark of some kind. This is just an empty summer hodgepodge of stale romantic comedy exchanges, witlessness and lackluster action.

Name : Wesley Morris / Alias : Boston Globe
The screenplay has pages I imagine remain only half-filled. Not long after Heigl and Kutcher meet in an elevator, they share this exchange. She: "Huh-huh." He: "Huh." She: "Huuuuuh." This is the language of love for two people coming out of a coma.

Name : Boyd van Hoeij / Alias : Hollywood Reporter
The characters' online connection allows the filmmakers, who here move away from the slasher genre to something approaching psychological horror, to explore violence as a mindset.

Name : Tom Huddleston / Alias : Time Out
Kutcher and Heigl are unable to bring any warmth to what is at heart a bitter, cynical script. Just awful.

Name : Stephen Whitty / Alias : Newark Star-Ledger
There is a potentially rich satirical situation there, as everyone in the couple's dull planned community turn out to be undercover killers. But whatever germ of an idea there is, it's quickly killed by witless writing and migraine-inducing direction.

Name : Andrea Gronvall / Alias : Chicago Reader
Bob DeRosa and Ted Griffin wrote the script, whose plummeting one-liners leave no actor unscathed.

Name : Roger Moore / Alias : Orlando Sentinel
There's nobody delivering the laughs in this arid action comedy.

Name : Rob Nelson / Alias : Variety
"Killers" has plenty to offer genre fans - provided they don't bolt during its opening scene of a tied-up woman being beaten to death with a mallet .

Name : A.O. Scott / Alias : At the Movies
This should be and could be a really fun and entertaining, silly movie and it isn't.

Name : Jeannette Catsoulis / Alias : New York Times
A brain-deadening collision of high concept and low standards.

Name : Colin Covert / Alias : Minneapolis Star Tribune
While it often feels like Foster's instincts as a director outpace the abilities of her screenwriting team, what she delivers is infernally attractive.

Name : A.O. Scott / Alias : New York Times
You will not necessarily learn anything here about how TV or high finance really work, but you will be invited to enjoy the illusion of such enlightenment in the skilled and charismatic company of Julia Roberts and George Clooney.

Name : Melissa Anderson / Alias : Village Voice
There's a lot of excitable talk about algorithms (or "algos"), the overuse of the term perhaps fitting for a film that seems to have been constructed not by humans but by binary code.

Name : Steven Rea / Alias : Philadelphia Inquirer
Even if Money Monster ultimately gets held hostage by its plot intricacies, Clooney, Roberts, O'Connell, and Foster do their jobs. It's a movie worth investing in.

Name : Peter Rainer / Alias : Christian Science Monitor
Investing in this movie would not be a safe bet.

Name : Kate Taylor / Alias : Globe and Mail
In a different year, Money Monster might just be another solidly entertaining thriller with an admirable script; in 2016, it feels like the movie of the moment.

Name : Stephanie Zacharek / Alias : TIME Magazine
Foster navigates the tonal shifts with ease, and her actors follow.

Name : Dave Calhoun / Alias : Time Out
'Dog Day Afternoon' for dough-brains.

Name : Mick LaSalle / Alias : San Francisco Chronicle
"Money Monster" is better than a mere statement of the times. It's terrific entertainment, and it deserves to be seen now.

Name : Bill Goodykoontz / Alias : Arizona Republic
The film whirs along with such entertaining efficiency that you may not realize that, by the end, it has shifted its blame .

Name : Joe Morgenstern / Alias : Wall Street Journal
A polemic disguised as a thriller .

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Unfolding in real time, Money Monster hints at being a more taut, topical thriller than it turns out to be. While always compulsively watchable, and often surprisingly funny, it loses some of its steam once it becomes clear where it's going.

Name : Bruce Kirkland / Alias : Toronto Sun
The film could be better - and it should be better, considering the depth of the talent involved.

Name : Richard Roeper / Alias : Chicago Sun-Times
Sometimes very funny and occasionally legitimately tense.

Name : Peter Travers / Alias : Rolling Stone
Foster moves her film from a pulse-quickening nail-biter to an incisive look at a beleaguered America undergoing a crisis of faith.

Name : Matthew Lickona / Alias : San Diego Reader
One long series of narrative gotchas masquerading as moral or intellectual sophistication before finally revealing that it offers nothing more than world-weary sentimentality.

Name : Moira MacDonald / Alias : Seattle Times
Ultimately, "Money Monster" is always watchable - but forgets to give us a compelling reason to watch.

Name : Peter Howell / Alias : Toronto Star
It recognizes the inchoate anger of people who suddenly realize they've been duped by a fast-talking hustler who promised gold but delivered dirt.

Name : Kenneth Turan / Alias : Los Angeles Times
A film that is both less entertaining and less significant than it imagines.

Name : Lindsey Bahr / Alias : Associated Press
Money Monster might not be a great movie, but it is a comforting movie-movie that's still fun to watch even if it whiffed on being something more.

Name : Jesse Hassenger / Alias : AV Club
Money Monster should turn into some kind of a nail-biter, but Foster, a novice at suspenseful filmmaking, doesn't seem to know which screws to tighten or if screws even need tightening at all.

Name : David Sims / Alias : The Atlantic
As its tense studio antics unfold, though, the sad truth becomes apparent: Money Monster is a movie-star vehicle that isn't giving its movie stars anything to do.

Name : Christy Lemire / Alias : RogerEbert.com
Jodie Foster has directed a real-time drama that's lean, efficient and benefits from the enormous charisma of George Clooney in the starring role as a slick, smug financial pundit.

Name : Brian Truitt / Alias : USA Today
Foster has crafted a piece that, in places, proves to actually be funnier than might be expected, and she gets the most out of her fellow A-listers .

Name : Todd McCarthy / Alias : Hollywood Reporter
An ordinary film about an extraordinary situation.

Name : Stephen Whitty / Alias : Newark Star-Ledger
The movie itself feels a little out of date, taking place in the present, but emotionally invoking a world of Enrons, Bernie Madoffs, tech bubbles and Wall Street meltdowns.

Name : Ty Burr / Alias : Boston Globe
It's well made, juicily acted, a fun watch, but for all its financial-vigilante noise, the movie's a slick Hollywood response to the depredations of Wall Street.

Name : James Berardinelli / Alias : ReelViews
Unfortunately, despite a surfeit of talent in front of and behind the camera, the movie is unable to overcome a shaky narrative whose increasing preposterousness ensures it's difficult to take seriously.

Name : Ann Hornaday / Alias : Washington Post
Not quite the sophisticated drama the era deserves, but not the usual adrenaline-addled genre exercise, either.

Name : Rafer Guzman / Alias : Newsday
A potentially topical thriller marred by pandering dialogue and clumsy plotting. Spend your money elsewhere.

Name : Amy Nicholson / Alias : MTV
If Bernie Sanders is elected president, Money Monster will be the only movie allowed on Air Force One.

Name : Mark Jenkins / Alias : NPR
Plays it straight with a topic that in reality is far more twisted.

Name : Leah Greenblatt / Alias : Entertainment Weekly
As a solid B-movie elevated by A-list talent and pushed along by a brisk running time-it's only 98 minutes-Money has its own rewards.

Name : Michael Phillips / Alias : Chicago Tribune
Clooney provides the glue. Like director Foster, he has a genuine interest in making commercial movies that matter, at least a little bit - movies that engage with questions of media hypocrisy and financial outrages.

Name : Lou Lumenick / Alias : New York Post
A clever financial thriller with comic overtones that's a solid investment of your time thanks to stellar work by George Clooney and Julia Roberts.

Name : Andrew Barker / Alias : Variety
The film hangs together surprisingly well, thanks to on-point performances from George Clooney and Julia Roberts, a sprinkle of obtuse humor and Foster's streamlined direction .