Name : Kyle Anderson / Alias : Entertainment Weekly
The only thing The Last Witch Hunter will successfully eradicate is insomnia.

Name : Ignatiy Vishnevetsky / Alias : AV Club
The Last Witch Hunter ends up crumbling into another generic showdown of murky fantasy effects and snatched artifacts, with a final shot that is literally framed around a door to possible sequels.

Name : Tom Huddleston / Alias : Time Out
What an ugly, idiotic mess this is.

Name : Alan Scherstuhl / Alias : Village Voice
Vin Diesel may not run smoothly, but he runs with purpose and conviction, and any line of dialogue processed through him comes out sounding like he believes it, even the sentimental ones.

Name : James Berardinelli / Alias : ReelViews
Unfortunately, a film needs more than Diesel's Stallone-ish appeal to succeed and that's where The Last Witch Hunter is found lacking.

Name : Inkoo Kang / Alias : TheWrap
"The Last Witch Hunter" aims for pulpy, comic-book fun, but it's never as fleet, funny, or detailed as it needs to be. If you're looking for something above middling in terms of plot, characters, [or] world-building, you'll need to seek it elsewhere.

Name : Alex Pappademas / Alias : Grantland
A feature film that feels like a longish TV pilot.

Name : Tom Russo / Alias : Boston Globe
Even with Diesel's oblivious self-miscasting - he's a producer on the film - "Witch Hunter" feels like genre material that might have found a way to work.

Name : Walter V. Addiego / Alias : San Francisco Chronicle
You . have to swallow a by-the-numbers plot buried under an avalanche of fast-and-furious but underwhelming CGI effects.

Name : Robert Abele / Alias : Los Angeles Times
One of those artlessly restless, exposition-dialogue fantasy-action slogs .

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Watching The Last Witch Hunter is like sitting by while someone else plays a game whose coolness eludes us.

Name : Bruce Kirkland / Alias : Toronto Sun
It is not even bad enough to be good camp comedy.

Name : Andrew Lapin / Alias : NPR
Some action heroes take themselves too seriously, or think they're making popcorn fun when they're really filleting us with endless rounds of ammunition. Not Diesel .

Name : Ben Sachs / Alias : Chicago Reader
The special effects are pretty neat, and the filmmakers utilize them smartly, delivering imaginative set pieces that are more visually compelling than the usual series of digital explosions.

Name : Richard Roeper / Alias : Chicago Sun-Times
The screenplay by a trio of writers is muddled and goofy and riddled with cliches.

Name : Soren Anderson / Alias : Seattle Times
It's the kind of roller-coaster Hollywood churns out seemingly in its sleep, oversaturated with effects shots and plot implausibilities. Ten minutes after you've seen it, you'll have forgotten all about it.

Name : Michael O'Sullivan / Alias : Washington Post
The special-effects-laden fight scenes are ho-hum, incoherent and badly lit. It's often hard to tell what some warlock or scorpion-like beast is doing and to whom.

Name : Kyle Smith / Alias : New York Post
The movie left me amazed - amazed that Nicolas Cage wasn't in it.

Name : Manori Ravindran / Alias : Globe and Mail
Seemingly at every juncture, the finality so necessary to up the stakes of this story is quickly snatched away in order to tease a sequel or two, leaving you wondering what the point of this supernatural exercise was in the first place.

Name : Guy Lodge / Alias : Variety
Too drab to succeed even as defiantly unvirtuous trash . stifles Diesel's rough-hewn charisma via a sludgy, impermeable oil spill of CGI effects - in the service of largely unspectacular hocus pocus.

Name : Rafer Guzman / Alias : Newsday
The dependable Diesel and a fine cast keep this hokey action flick mostly entertaining.

Name : Stephen Dalton / Alias : Hollywood Reporter
Fast and furious on the surface, shallow and conventional beneath, Diesel's bid to carve himself another billion-dollar franchise is off to a good start with this mainstream crowd-pleaser.

Name : Andy Webster / Alias : New York Times
A smorgasbord of empty calories, the Vin Diesel vehicle "The Last Witch Hunter," for all its overstuffed visuals, leaves you hungry. But not for more.

Name : Peter Howell / Alias : Toronto Star
The Last Witch Hunter is so drenched in CGI effects, it looks as if it's been dunked in a vat of lacquer.

Name : Greg Quill / Alias : Toronto Star
Standard Statham stuff.

Name : Mary F. Pols / Alias : TIME Magazine
The interplay between dry Arthur and crazy, caustic Steve is what makes the movie fun.

Name : Liam Lacey / Alias : Globe and Mail
There just isn't enough consistent energy to light up the glum, generic plot or enliven the one-dimensional performances.

Name : Derek Adams / Alias : Time Out
With its unrelenting violence and obligatory bonking sessions, this is one for avid 'Stath' fans only.

Name : Una LaMarche / Alias : New York Observer
The Mechanic is like a Beretta loaded with blanks - quick and brutal but ultimately empty.

Name : John Hartl / Alias : Seattle Times
West's slick, fairly faithful new remake gives partial screenplay credit to Lewis John Carlino, who wrote the original "Mechanic." But the picture isn't likely to do for Jason Statham what the 1972 film did for Bronson.

Name : Brian Miller / Alias : L.A. Weekly
The Company Men with guns, but no families or pensions. All they have is their job, and retirement literally equals death.

Name : Manohla Dargis / Alias : New York Times
A sputtering remake in need of a more powerful recharge.

Name : J. R. Jones / Alias : Chicago Reader
While that pop mythology was still relatively fresh back in Bronson's day, it's so played out at this point that not even the enjoyably no-nonsense Statham can pump any life into it.

Name : Peter Travers / Alias : Rolling Stone
The result is just good enough to pass as an action flick you watch with the forgiving gaze that comes from too many beers and too little sleep.

Name : Steven Rea / Alias : Philadelphia Inquirer
It's about gunplay and pricey sports cars bursting into flames while three or four cameras capture the moment. In slo-mo. Cue the cool music.

Name : Scott Bowles / Alias : USA Today
The first legitimate action film of 2011.

Name : Tom Long / Alias : Detroit News
Jason Statham needs to get a tune-up, switch gears and hit the gas.

Name : Tom Russo / Alias : Boston Globe
An intermittently arresting, mostly standard action entry that deals death noisily more than cleverly - a lot like the original.

Name : Bruce Diones / Alias : New Yorker
Statham is a model of control; he's steely and graceful in his action scenes, and his interplay with the wiry Foster delivers the goods.

Name : Joe Morgenstern / Alias : Wall Street Journal
Mr. Statham, the specialist in English tough guys who was so affecting in "The Bank Job," has more to offer than "The Mechanic" has the grace to receive.

Name : Lou Lumenick / Alias : New York Post
Considerably more fun than the rather lethargic original.

Name : Roger Ebert / Alias : Chicago Sun-Times
"The Mechanic" tells a story as old as "Hamlet" in a style as new as unbaked bread. What's the point?

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Even by the sloppy, soulless standards of hit man movies, "The Mechanic" is a mess.

Name : Keith Uhlich / Alias : Time Out
Depth of character is traded for bloody broad strokes.

Name : Brian Lowry / Alias : Variety
It proves middling, and occasionally muddled, on almost every level.

Name : Stephen Whitty / Alias : Newark Star-Ledger
The new stunts are explosive, over-the-top and a sign of the times - action fans aren't happy these days, it seems, unless at least one scene involves a jackknifing 18-wheeler and a fireball.

Name : Christy Lemire / Alias : Associated Press
Statham, the British star of the Transporter and Crank films and an old favorite of Guy Ritchie, has a quietly fierce physicality, a stylish masculinity that makes him appealing to both men and women.

Name : Mark Jenkins / Alias : NPR
Betrayal, sympathy and regret are central to the story, but there's hardly any room for such feelings amid the clockwork carnage.

Name : James Berardinelli / Alias : ReelViews
The Mechanic is adequate light entertainment for those who enjoy thrillers, but it is uneven and the underwhelming ending will disappoint those who enjoyed the delicious irony served up by its predecessor.

Name : Michael Phillips / Alias : Chicago Tribune
Let's not denigrate the term "action film" by applying it to the remake signed by director Simon West. This is a violence film, not an action film.

Name : Josh Modell / Alias : AV Club
Statham and Foster play off each other nicely, and director Simon West strikes a playful balance between carnage and conviviality, gore and gregariousness.

Name : Dana Stevens / Alias : Slate
The Arthur/Steve relationship at the movie's heart is what lifts The Mechanic above the common run of kablammo! action thrillers.

Name : John Anderson / Alias : Washington Post
"The Mechanic," 2011 edition, is a striking-looking work, combining an arty inkiness with a retro-graininess that more or less screams 1970s, albeit without the cliches and flatness. If only you liked the people in the picture.

Name : Bill Goodykoontz / Alias : Arizona Republic
Statham is, in his understated way, a satisfying action star, stoically going about his business. Foster is just a flat-out good actor, as anyone who saw his work in "The Messenger" or "3:10 to Yuma" can attest.

Name : Rafer Guzman / Alias : Newsday
Clinging to false heroism and terrified of anything too dark, The Mechanic is a tough-guy movie for wimps.

Name : Rene Rodriguez / Alias : Miami Herald
Haven't we already had enough movies about solitary, enigmatic hit men? Is there anything possibly left to do with the genre that's new?

Name : Owen Gleiberman / Alias : Entertainment Weekly
The Mechanic is ham-fisted pulp, like Robert Rodriguez's Machete taking itself seriously.

Name : Glenn Kenny / Alias : MSN Movies
The Mechanic is my kind of action movie: nasty, brutish, brisk and ass-kicking.

Name : Leah Rozen / Alias : TheWrap
Statham, he of the chiseled physique and sexily receding hairline, holds his own here, doing what he has to in scenes and no more - which is perfect for a movie like this.

Name : Todd McCarthy / Alias : Hollywood Reporter
Frantic, numbing redo of the Charles Bronson original for hardcore Statham and action fans only.

Name : Mick LaSalle / Alias : San Francisco Chronicle
To the extent it makes sense, it's a collection of time-honored cliches, and to the extent that it's original, "The Mechanic" is insane, bordering on gloriously insane.