Name : Joe Neumaier / Alias : New York Daily News
Writer-director Andrew Bujalski appreciates a grimy basement as much as he does a wide-open highway, and he aims for a slice-of-life tapestry. But he should have simply let Corrigan slouch into nirvana.

Name : Abby Garnett / Alias : Village Voice
Bujalski knows how to reveal the immaturities and hangups people hide behind money, ambition, and the pursuit of a better body.

Name : J. R. Jones / Alias : Chicago Reader
Sharply funny slacker comedy.

Name : John DeFore / Alias : Hollywood Reporter
A perfectly chosen cast sells this unhurried comedy, which flows unconventionally but is still, by a long stretch, the most mainstream-friendly picture Bujalski has made.

Name : Ty Burr / Alias : Boston Globe
What happens when a rigorously non-mainstream filmmaker tries to reverse-engineer a mainstream romantic comedy? The result, in all its charming perversity, is "Results."

Name : Moira MacDonald / Alias : Seattle Times
Not a whole lot happens, but you get to know an interesting trio, and leave them feeling satisfied that it was time well spent.

Name : Rex Reed / Alias : New York Observer
A week in the outback without a cellphone would be better than Results.

Name : Andrew O'Hehir / Alias : Salon.com
Somebody needs to give Andrew Bujalski a TV series. If "Results," his unlikely but delightful new film set in and around an Austin fitness studio run by hard-bodied Guy Pearce, were a TV pilot, I would be hooked on the show already.

Name : Inkoo Kang / Alias : TheWrap
This droll, intelligent farce is most poignant as a portrait of modern alienation that explores how money, service work and self-improvement leave individuals stranded and alone.

Name : Ella Taylor / Alias : NPR
You'd expect Bujalski, who made Beeswax and Computer Chess and a couple of other extreme indies, to poke fun at gym culture, the ultimate soft target. And he does, but sweetly and without disparagement .

Name : Stephanie Merry / Alias : Washington Post
"Results" is a smooth transition for Bujalski from the fringes to more commercial work. It's heartening that he didn't give up his calling-card observational humor to do it.

Name : Ignatiy Vishnevetsky / Alias : AV Club
With Bujalski, this is business as usual, but by the standards of the contemporary indie rom-com, it's refreshingly unpredictable and thoughtful.

Name : Cath Clarke / Alias : Time Out
Like Bujalski's early mumblecore work, this is sensitive and meandering - and just a little bit patience-testing.

Name : Richard Brody / Alias : New Yorker
One of the strangest and strongest of recent romantic triangles forms in the course of this lyrical, fanatically realistic comedy, written and directed by Andrew Bujalski.

Name : Mick LaSalle / Alias : San Francisco Chronicle
There's an absurdist edge, but with nothing of the smart aleck about it. Rather than use wit as a way of bypassing thought and emotion, Bujalski's concerns are serious and his attitude toward his characters is warm without being indulgent.

Name : Wesley Morris / Alias : Grantland
A movie like this feels like a dream challenge for an actor. It lives and dies not sheerly by the writing and the direction of the script, but by the cast's organic adherence to both.

Name : Linda Barnard / Alias : Toronto Star
Bujalski crafts a quirky romance with fitness-industry comedy Results, shaping flawed characters into people you might just admire.

Name : Michael Rechtshaffen / Alias : Los Angeles Times
The rom-com isn't such a lost cause, after all. It was just waiting for someone like indie filmmaker Andrew Bujalski to resuscitate it.

Name : A.O. Scott / Alias : New York Times
Only toward the end do you realize that the characters have been arranged into a pleasing and familiar romantic-comedy triangle and that you've been watching a beautifully played game of underhand slow-pitch screwball.

Name : Jeannette Catsoulis / Alias : New York Times
Perceptive and compassionate, "Eden" recognizes how the thrill of artistic freedom can curdle in the heat of the marketplace and the demands of daily life. Yet the movie's refusal to foster regret, or have Paul repudiate his passion, is telling.

Name : Kenneth Turan / Alias : Los Angeles Times
Hansen-Love is an assured and naturally empathetic director who specializes in making us care more about her characters than seems likely at the outset.

Name : Christopher Tarantino / Alias : Time Out
At one point, Paul describes his music as "somewhere between euphoria and melancholy," which is also an apt description of Eden itself.

Name : Ignatiy Vishnevetsky / Alias : AV Club
A viewer is always aware that they are being shown a place and an era, which helps explain how Eden manages the tricky business of being a movie that is overtly about lost time, but which unfolds chronologically, without as much as a flashback.

Name : David Edelstein / Alias : New York Magazine/Vulture
I think the triumph of the film itself is its centrifugal force, its dispersed palette, its constant movement away from a center - the reverse direction of those records on Paul's Technics turntable.

Name : Wesley Morris / Alias : Grantland
The years in this movie don't really amount to much. It's stuck between disco shallowness and grown-up wisdom - like a turntable, it's spinning endlessly.

Name : Andrew Barker / Alias : Variety
Hansen-Love, who co-wrote the script along with her former-DJ brother Sven, zeroes in on the signature experiences of '90s club life with expert precision.

Name : Jon Frosch / Alias : Hollywood Reporter
Eden is indeed as low-key as anything Hansen-Love has done, though it conveys a sense of risk that feels new for her - both in the scope of the story and in specific choices she makes.

Name : Anthony Lane / Alias : New Yorker
If the result feels anesthetized, that could be seen as a tribute to the music, which remains ecstatically dull; when you are lost in it, the movie implies, the rest of life - and even time itself - can pass you by.

Name : A.A. Dowd / Alias : AV Club
An intimate epic to sink into; it uses the unchanging age of its actors, whose characters stubbornly resist changing for two decades, as a melancholy commentary on the maturation process.

Name : Mark Jenkins / Alias : NPR
A subtle portrait of an EDM Adam, Eden is neither a star-is-born fable nor a soul-is-lost parable.

Name : Ben Sachs / Alias : Chicago Reader
The camerawork is so fluid and the settings so brimming with detail that one feels washed away by the film, recognizing the hero's decline only when he does-that is, too late.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Delicate, lifelike filmmaking .

Name : Stephanie Zacharek / Alias : Village Voice
Even if you know nothing about techno, let alone garage, Hansen-Love's exploration of the ways music can nourish you or swallow you whole is instantly, perhaps painfully, recognizable.

Name : James Rocchi / Alias : TheWrap
A startlingly enjoyable and well-made action film leavened by humor and slicked along by style, made by, for, and about people who've seen far too many Bond films.

Name : Sheri Linden / Alias : Hollywood Reporter
Firth enters new territory with style and grace, anchoring a smart, high-energy movie that eventually runs out of steam.

Name : Peter Debruge / Alias : Variety
Whether it's "Alex Rider," "Agent Cody Banks" or "Spy Kids," plenty have tried to adapt the 007 shtick to younger characters, with demonstrably dopey results. In the end, the reason it works for Vaughn is that he's making the film for adults.